Currently On View

John Gibson, Higgity, 2018, Oil on collaged wood panel, 12” x 11”

John Gibson, Lakeman, 2017, Oil on board, 13 1/2” x 13”

Robert Roesch, Saiph, 2007, Stainless steel and waxed mild steel, 87” x 48” x 30”

John Gibson, Law, 2018, Oil on collaged wood panel, 12” x 24”

Arman, Untitled, 1971, Broken violin cast in polyester resin, 9 7/8” x 9 7/8” x 9 7/8”

Madeline Peckenpaugh, Into Being, 2016, Oil on canvas, 48" x 60"

Geoffrey Dubinsky, Eucheuma, 2013, Steel, 90" x 19 1/2" x 30"

Ryan Buffington, Mimesis, 2014, Oil on canvas, 48” x 72”

Steven Assael, Girl With Feather, 1996, Graphite on paper, 25 1/2” x 19 3/4” (framed)

Andrew Wapinski, Untitled, 2014, Pigmented ice, acrylic, ink, and graphite on linen mounted panel, 52" x 45" x 2 1/4"

Joel Stanulonis, The Flight of Art, 2015, Graphite on gel-primed canvas, 29” x 47”

Hiro Sakaguchi, Eye of the Typhoon, 2009, Graphite and watercolor on paper, 9" x 12"

Hiro Sakaguchi, Chrysanthemum Delivery, 2009, Graphite, ink, and gesso on panel, 18" x 24"

Hiro Sakaguchi, Nitrogenous Bases, 2016, Acrylic on canvas, 40" x 40"

Hiro Sakaguchi, Recommission of a Battleship, 2013, Acrylic on canvas, 32" x 40"

George Segal, Girl on a Chair, 1970, Plaster and painted wood, 36" x 24" x 11 7/8"

Robert Rauschenberg, One More and We'll be Almost 1/2 Way There, 1979, Solvent transfer with fabric collage, 31" x 22 7/8"

Phillip Adams, Bozo, 2018, Charcoal and acrylic on wood panel, 10” x 10”

Phillip Adams, The Ultimate Slide, 2011, Charcoal and oil on wood panel, 10” x 10”

Phillip Adams, Inflated Curl, 2018, Charcoal, graphite, and oil on panel, 32” x 48”

Michel Delgado, Quietly Confuse, 2014, Mixed media on watercolor paper, 25" x 21"

Michel Delgado, Disorganized Return, 2014, Mixed media on watercolor paper, 23” x 17”

Paul Fabozzi, Hagia Sophia #1 x 6, 2016, Oil on canvas, 60" x 48"

Paul Fabozzi, QBB #2 x 6, 2015, Oil on canvas, 60" x 48"

Phillip Scarpone, Apt. #15 (2), 2017, Venetian blinds, rag, clay, mortar, glue, aqua resin, graphite, adhesive fibers, 34" x 23" x 2"

Michael Morrill, ISIS 25: CA, 2012, Oil and acrylic on linen over panels, 36" x 108"

James Fee, Sgt. Valentio's Tank, 2001, Chromogenic print, 37 1/2" x 37"

Ward Davenny, Angelic Cloud, 2011, Digitally printed pigment-based photograph, 30" x 40"

James Inscho, Pocket, 2013, Oil on canvas, 46" x 42"

James Brooks, #26, 1952, Gouache on paper, 22" x 28"

Natalie Alper, January #1, 2002, Mixed media on iridescent ground on paper, 22" x 30"

Craig Kraft, Column Interrupted, 2010, Aluminum, neon, transformer, 58 1/4" x 1 3/4" x 3 1/2"

James Fee, Untitled, 2002, Monoprint, 24" x 20"

Howard Silberthau, Untitled, 2014, Oil on canvas, 62" x 62"

Howard Silberthau, Untitled, 2009-2010, Oil on canvas, 36" x 36"

Craig Kraft, Light’s Mark, 2010, Neon, 38” x 70” x 8”

Hiro Sakaguchi, Gravitational Pull: Land (after Casper David Friedrich), 2014, Acrylic on canvas, 72” x 96”

Craig Kraft, Small Random Neon, 2010, Neon and metal frame, 42” x 20” x 12”

Darla Jackson, All the Times…, 2007, Gypsum cement, 5” x 20” x 15”

Joe Mooney, Forward, 2017, Painted steel, 18 1/2” x 13” x 9”

George Herms, Friday Rose, 2001, Assemblage, 29” x 17” x 13”

George Herms, Laker World, 1973, Assemblage, 4 1/2” x 36 1/2” x 10 1/2”

George Herms, King Edward (For Ed Keinholz), 2002, Assemblage, 12” x 9” x 11”